“On the good moments, there is no editing […]. Because it is not on the level of me determining, or understanding, or making decisions and then creating something out of it. The good moments: me together with the audience that observes me going through the process of transformation. Which can be through movement, sound, the use of objects, and all these things that create the poetics of the moment. [It means:] the strength of the fragility.”
[…]
“The marvellous moments of mastering the irresponsibility of the moment, and saying ‘wait, wait, wait, we begin again’. And everybody just relaxes from this strange dramatic tension of trying to succeed. ‘Now we can play’.”